Waiting for Happiness

Waiting for Happiness

فیلم Waiting for Happiness
6.4 / امتیاز 2002

Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: he can no longer speak the local dialect and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning.

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Waiting for Happiness is a 2002 Mauritanian drama film written and directed by Abderrahmane Sissako. Main characters are a student, who has returned to his home in Nouadhibou, an electrician and his child apprentice, and the local women. The film is characterized by a succession of scenes of the daily life of the characters which are unique to their particular African and Arab cultures, while borrowing from tropes of Tayeb Saleh's Season of Migration to the North. The viewer must interpret the scenes without much help from narrator or plot, while the structure of the film hangs on a series of mundane but visually arresting moments, many of which are repeated in other works in Abderrahmane Sissako's opus, including scenes at a barber shop and a photo booth, also present in his earlier La Vie Sur Terre and later Timbuktu. The film presents typical Mauritanian moments of beauty, struggle, alienation, and humor, which are experienced by groups socially divided from each other, such as Bidhan women drinking tea and gossiping, West African migrants passing through Mauritania to get to Europe. The young protagonist who has returned interacts with all of these groups as an outsider, as he struggles to remember even his own Hassaniya Arabic dialect, but prefers instead French. Many of the themes and characters presage Sissako's 2014 film Timbuktu, and both explore liminal Sahel identities authentically situated in everyday life. Waiting for Happiness premiered at the 2002 Cannes Film Festival in the Un Certain Regard section. Sissako dedicated the film to his mother, who died on its last day of filming.

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