El último hombre sobre la Tierra

El último hombre sobre la Tierra

6.6 / Rating 15 votes 2022

In a comedy set during the Christmas novena of a company, Piquiña, an ugly and boastful man, tries to conquer Liliana, the woman desired by all. Convinced of his charm, he goes after her, but Liliana rejects him with a blunt phrase: she would only be with him if he were the last man on Earth.

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The Golden Age of Argentine cinema, sometimes known interchangeably as the broader classical or classical-industrial period, is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s or 1950s, depending on the definition, during which national film production underwent a process of industrialization and standardization that involved the emergence of mass production, the establishment of the studio, genre and star systems, and the adoption of the institutional mode of representation (MRI) that was mainly—though not exclusively—spread by Hollywood, quickly becoming one of the most popular film industries across Latin America and the Spanish-speaking world.

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